Kate Cheung is a multidisciplinary artist based in Hong Kong, working across video, moving image, installation, and poetry to explore the language of material and form within organic and built systems.
Her practice begins with a belief that every material carries its own poetic language, shaped by the conditions of its existence. She attends to how the organic and the human-made coexist, negotiate, and speak to one another, and her videos and images grow from sustained observation, surfacing the poetic qualities already present in the world, waiting to be read.
She holds that poetic expression does not originate in words, but in the inherent language of things. Text language, she observes, often leads to overthinking. Poetry is already present — not only in text, but in all things. Her works may appear fragmented, unstable, and vulnerable, but they are also coherent, free, and resilient — like a quiet tide.
Her works have also been shown internationally, with exhibitions and collaborations in Ireland, Italy, Taipei, Thailand and Japan. Besides, she is also one of the co-founder of maison meander.
張君瑤是一位駐於香港的跨領域藝術家，創作橫跨錄像、影像、裝置與詩作，探索物質與形式在有機與人造系統中的詩性語言。
她認為每一種物質都承載著自身的詩性語言，由其存在的條件所塑造而成。她觀察有機與人造如何共存、協作與相互言說，而她的影像與錄像則來自持續觀察，將世界本已存在、等待被閱讀的詩意顯現出來。
她相信，詩意的表達不只限於文字，而源於萬物本有的語言，可用於創作和閱讀，就如人類原始的溝通方式。而語言本身往往導致過度思考。詩意早已存在，它不單在文字之中，也於一切本已存在的事物裡。
城市，是她觀察自我與外部世界的重要場域。她長期凝視城市中被忽略的細節，紀錄日常景觀在時間流逝中悄然變形。她的作品或許顯得破碎、不穩定與脆弱，卻同時連貫、自由且具有韌性——如靜默的浪潮。
她的作品亦於國際平台展出，展覽與合作遍及愛爾蘭、意大利、台北、泰國與日本。此外，她亦是 maison meander 的聯合創辦人和策展人。
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